Home-cured Guanciale (or 'Cheeky Pancetta')

In the eyes of the layman (and I include myself in this category), charcuterie looks like pure magic. Admittedly slow, drawn out magic, but trickery nonetheless.



It is a true artisanal craft that, done properly, illustrates beautifully the idea that cooking can be alchemy. With just a few extra ingredients (usually salt, booze and a few herbs) it is possible to transform the mundane into something truly sublime.

There are few simpler pleasures greater than eating a thin slice of cured meat – the fat melting like butter onto the tongue, filling the palate with rich, porcine flavours. A loaf of warm bread, some good oil or butter and a plate of cold cuts can make for a very happy time indeed.

Having tried making cooked charcuterie, in the form of rillettes and pâté, I felt it important to embrace the next logical step: curing.

Preserving meat using salt has a long and noble tradition. Prosciutto, pastrami, baccala, salt beef, herrings – all are made in the same way and use the dehydrating properties of salt to help extend the life of produce.

Bacon seemed like the ideal place to start, given how easy it is supposed to be to turn a slab of belly pork into dry-cured rashers but these plans were shelved after a revelatory moment at west London Sicilian deli, Vallebona.

Guanciale is cured pork jowl. Cheeky pancetta, if you will. Given my history of trying to turn pig’s heads into tasty treats, one taste of this face bacon was all that was needed to convince me it was worth trying to re-create.



Popular in Tuscany and Umbria, it can be used in place of pancetta in a whole raft of dishes or simply thinly sliced and enjoyed with a glass of something cold and alcoholic.

But whereas pancetta tends to be on the expensive side, because guanciale utilises a cut that is often thrown away, it is incredibly cheap, not to mention surprisingly easy to make.

In short, it is everything anyone could possibly desire from an item of charcuterie.

If that has done enough to whet your appetite for dipping an adventurous toe into the dark art of meat curing, here’s how to do it.

First procure yourself one or two pig’s noggins and remove the jowls starting below the chin and, keeping as close to the jawbone as possible, working your way up until just underneath the eye socket.



[If this is too much, you could just order them ready trimmed from your friendly neighbourhood butcher]

This is a dry curing process (as opposed to making a brine) so mix together 200g of fine sea salt and 200g of dark brown sugar and add 10 crushed peppercorns, a couple of crushed cloves, a small handful of very finely chopped rosemary and a pinch of saltpetre.

Rub this mixture into both sides of the cheeks then pour a thin layer of it into a plastic container (make sure it has a lid). Pack the cheeks in and cover with a little more of the cure mix. Pop the lid on the box then put it in the fridge for 24-48 hours.



Commence thumb twiddling.

When you next come back to them, the cheeks should be swimming in a liquid that feels a lot like wet sand. This is water that has leached out of the cheeks (see, they look a bit smaller). Pour this off, repeat the salting process, replace them in the box and leave for another five days.

After a week they should be ready for drying. Remove them from the salt, rub them with a dry cloth and attach some butcher’s string to the thin end. Hang them in a cool place (no warmer than 18 degrees) for three weeks and hope to Buddha that they don’t fall prey to many of the potential pitfalls that could destroy them.



Re-commence thumb-twiddling or alternatively keep your fingers crossed so darn tight it begins to hurt.

Results to follow soon. In the mean time, how about saying 'Hi' on Twitter?

Assiette de Tete de Porc or ‘How to turn a hog’s head into a delicate trio of starters’

[Scroll down for recipes]

Carnivorous detachment is something many of us are guilty of.



By that I mean there is a deliberate and tangible epistemic distance between product and animal. It’s one that we gloss over. Choose to ignore, and prefer to exist in a state of happy ignorance about where meat comes from.

Of course, when it really comes down to it we know that something, some thing, died so that we can consume the animal protein on our plate but there is a vast chasm between the casual awareness of this and the genuine hands on reality.

A few weeks back I went to a slaughterhouse. It was clean and quiet and had been shut down for the day. But the pervading atmosphere was one of death.

It was discernable not only in the smell, but in the walls, the floors, the shape of the pens and the grim actuality of the chains, hooks and instruments required to turn a cow (or in this case a water buffalo) into something the consumer is happy to eat.

There was no slaughter that day. But it wasn’t necessary to see it in order to have beliefs affirmed: that, for me, eating meat comes with a responsibility to appreciate the reality of husbandry, slaughter and butchery.

I’m not here to proselytise. Merely explain the position I’ve chosen to take and hopefully use that as a springboard for what follows.



Naturally there was a culinary dimension to cooking a pig’s head. It’s a challenge. A gastronomic gauntlet. A badge of honour, almost. But it also represents the face-to-face dimension of being a carnivore. Literally.

Where one can cook a steak with little thought to animal from which it came, a head doesn’t offer this luxury. It is clearly an animal, and one that we are familiar with. Looking at the apparent smile that seems to spread across the face of a dead pig one can’t help but think it is in a state of blissful ignorance as to its fate: the dinner plate.

I’d set myself the task of cooking a rather ambitious menu and then serving it up to brave diners who had kindly volunteered to accompany me on this little culinary journey. As a perfectionist, though, this wasn’t going to happen without a practice run.

The brain dish wasn’t a winner and certainly not worth the effort of cleaving open the head – a task which took close to three quarters of an hour. But the rest had potential.

So, here it is. A first draft anyway. Complete with recipes


Trio of Pig’s Head

[NB – The only element of this I had help with was asking the butcher to remove the eyes. I have a funny thing with eyes. I was 21 before I could consider the possibility of getting contact lenses.]

For this you will need one pig’s head. Remove the eyes and discard. Remove the ears close to the head and wash well. Use a boning knife to remove as much of the cheek meat as possible, cut into inch long pieces and set aside.

Cut off about an inch and a half to two inches of the snout and discard (a large saw is probably the best piece of equipment for this).

Place the head and ears into a large stockpot with a crude mirepoix of carrots, onion, celery, leeks and garlic. Cover the whole lot with water and bring it to a gentle boil. Let it simmer for half an hour, skimming off any scum that rises to the surface. After thirty minutes reduce the heat and let it bubble away very gently for three hours.

To confit the cheeks, finely chop some rosemary and bay leaf. Salt the cheeks and sprinkle over the herbs. Put the whole lot into a roasting tray and add enough duck or goose fat to come halfway up the cheek pieces. Cook in a cool oven – about 125 degrees C – for three hours. Turn the pieces every half hour or so. Once cooked leave to cool.

Remove the ears and head from the stock pot and let them cool. Strain the stock through a sieve and then a muslin cloth, bring it back to the boil and reduce it by about half. Remove about 250ml from the pot and add it to another saucepan. Reduce that by half. This will make the setting jelly for the brawn pâté. The rest of the stock can be used to make soup.

Once the head is cool enough to handle strip it of its meat, of which there should be plenty – about 300-400g. Set to one side and discard the bones.

Take a deep breath. You’re almost there.

Confit of pig’s cheek



Remove the meat from the duck or goose fat and slice off the skin (which can be used to make pork scratchings – bake ina moderate oven for about 20 minutes). Use two forks to shred it roughly, a little like making rillettes. Heat the leftover fat and strain through a sieve.

Season the meat with salt and black pepper then stuff it tightly into a sterilised jar. Pour over the liquid fat, screw on the lid and let it cool. This should keep for weeks and is great served with cornichons and fresh, crusty bread.


Brawn pâté



Brawn is a rough and ready item of charcuterie usually made with the entire head with chunks of meat set into jelly. This is a more delicate, refined version, much more similar to a pâté or rough sausage. The jelly is almost indiscernible and is used predominantly as a binding agent.

Finely chop the meat. Season it with salt and pepper then add some chopped sage, about six or seven leaves. In a mixing bowl add about 50ml of the reduced stock to the meat until it starts to come together then turn out onto a square of cling film or tin foil.

Roll the meat into a tight sausage and leave in the fridge overnight. Once set, slice the meat into circles, fry in a little olive oil for thirty seconds each side and serve with salad leaves.

Crispy fried pig’s ears



These are delicious. Not just passable or ‘OK. For an ear’, but really tasty. A little like calamari but slightly tougher.

Thinly slice the ear and coat in seasoned flour. Make up a batter (I used the ginger beer batter again – it works really well) and deep fry the battered ears for about two minutes. Drain on kitchen paper and serve with sea salt, a little lemon juice and some mayonnaise or sweet chilli sauce.

Nose to Tail Tuesday - Pork Cheeks

After much bluster and fanfare, it’s finally time to get on with the show.

Nose to Tail Tuesday (or N3T as it shall be known from now on) is about rediscovery, thrift, culinary philosophy and, above all, taste (for a more complete break down of the ethos behind the feature see this post). If we can’t make these cuts taste sublime, or just as good as the expensive bits, then the exercise becomes moot.

For the inaugural dish, we’re starting with these…



…pork cheeks.

These are a criminally cheap cut, often dispensed with or turned into budget sausages. More adventurous butchers, with a more adventurous clientele, might turn them into Bath Chaps. But often they are ignored, especially by the consumer.

Which is a real shame because they are incredibly tasty and, as I found out, very easy to cook.

You could cook them long and slow with stock vegetables, let them cool and eat them, thinly sliced, as you would a ham. Alternatively once cool you could breadcrumb them and fry them. Served with a punchy aioli, they would be delicious.

But I wanted something a bit special to kick off this feature.

Pork and apple sauce is a classic combination, for good reason. The sweetness and faint acidity of the apple cuts perfectly through the fatty richness of pork meat.

With this in mind I chose to confit the pork cheeks, stuff them with stewed apple and serve them, sliced, with apple jelly, candied bacon, spiced parsnip puree and seasonal greens.

Pork and apple, perhaps, but not in the traditional sense.



This is good slow cooking, perfect for a Sunday when you can turn on the radio, fill the house with the most delicious smells and take your time. It really isn’t very labour intensive and you could even do the vast majority of the work the day before or while the pork is cooking.

The end result is totally delicious - like belly only with a more intense flavour. It's got the perfect ratio of meat to fat giving a juicy, porky flavour with the added bonus of crackling as well. This is a rich cut of meat - you don’t need much which adds further to the economy of it.

But true test is whether I’d choose to have it again. The answer? Yes. In a heartbeat, as often as is possible.

Want to know how to do it? Course you do.

1. First off, cut each cheek into three. Season well with salt, pepper and a hefty amount of finely chopped bay leaf and rosemary (about 4 sprigs of rosemary and three bay leaves). Leave them in a bowl in the fridge for at least an hour, preferably overnight.



2. Melt some fat (pork, duck or goose is ideal. I used the leftover fat from the pork scratchings) in an ovenproof dish, wipe any excess salt from the cheeks and nestle them into the liquid. Cook for about three hours in a low oven (about 150 degrees centigrade), turning three or four times. Leave them to cool.

3. For the parsnip puree add one star anise and three cloves to 200ml of milk and 200ml of water and bring to a gentle boil. Let it cool then remove the star anise and cloves. Add two diced parsnips to the infused milk and water then simmer for 20 minutes, or until they are cooked. Strain (reserving the cooking liquid), blitz in a food processor and pass through a sieve. Add some of the cooking liquid if it is too thick. This will keep for 2 or 3 days in the fridge.

4. The apple jelly is easy. Dissolve 2g of agar powder with 125g of apple juice, bring to the boil, stirring all the time. Pour the liquid into a suitable container and leave to cool. Cut into square dice when it is set.

5. For the candied bacon – sprinkle two rashers of bacon with Demerara sugar on both sides (use baking parchment or Silpat for this, unless you want to be scrubbing your trays for nine hours) and cook in a moderate oven (about 170 degrees). Turn once or twice during cooking. When cool, chop the bacon finely. Don’t forget to eat some while you are doing this because it is freaking delicious.

6. Stewed apple is simple, too. Peel, core and dice two eating apples, put into a pan with a splash of water, a tablespoon of sugar and a quarter of a lemon (helps to maintain the colour as well as add an acidic note), with the juice squeezed over the apple. Cook, partially covered with a lid, until the apple starts to break down.

7. Once cool enough to handle, remove the cheeks from the confit and sieve the liquid fat into a plastic container to keep in the fridge. It’s great for many things and keeps forever (almost). Finely dice the meat. Lay a square of crepinette (caul fat) onto a sheet of plastic wrap and press a layer of the meat onto it, almost covering it. Spoon the apple puree in a line down the middle and wrap the whole lot into a tight sausage.

*You could use cured ham instead of crepinette. Let it cool in the fridge to help it keep its shape when you fry it off*

8. To complete – remove the plastic wrap from the cheek and apple ‘sausage’. Fry in a dry frying pan for about a minute on each side (so four minutes in total). Leave to rest while you plate the rest of the dish. Cut the ‘sausage' into half inch thick slices, place on a small pile of wilted greens and serve with a crisp white wine to help cut through the richness.

Verdict – N3T 1: pork cheeks – total success.



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